ABOUT SHE IS

We remember someone we love in the light we wish to remember them. When they’re out of sight, we can close our eyes and imagine their face, reach for their fingertips, and trace the constellations of the freckles of their left kneecap. And, in this way, we always have them with us.

But before our reality becomes memory– before our loved ones turn the corner or leave the room— would you pause to count their freckles? Would you wait to see how they catch their breath before telling you an exciting story? Would you embrace the reality beside you to reinforce the memories you will one day reach for, eyes closed tight? Have you taken the time to absorb that person’s every detail? Will you now?

I developed this series of photographs to pause and praise the hyper-reality of a loved one’s presence… what became of this intimate reality? Photographs so real they are surreal. I made these photographs so that today, and any day, I can recall and relive the immeasurable intricacies hidden beneath the burgeoning haze tied to memory.

I began this project to develop an understanding for the complexities of the human physique I’ve learned I often overlook.

SHE IS explores the intimacy of the portrait. This is a personal series in which I documented my grandmother on 4x5 film in 1:1 ratios. Because of this project, I can now see and celebrate the twists of her tendrils and the tributaries reaching for her toes. I have more than my memories of her.

This is the reality I rejoice.